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Minä harpyijana (Me as a harpy)
and played a big influence while painting Sarah during this model session
acrylic on canvas
Mother’s concern
Flax fibres are binded together by using thin thread
puhallus Naturalism Minä harpyijana (Me as aoil and ink on mdf part of 'postcards from places I can no longer visit' Working from an archive of my own childhood photographs, I am approaching self portraits as refracting images of a not me anymore. The childhood portrayed in these photographs is familiar yet foreign, as a look back at it through someone else's eyes, recognising the taken photographs, not the moments themselves. The act of reproduction allows a further refraction of memory, as
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